Thursday, October 20, 2011
Israelites without Duality
Wednesday, October 19, 2011
The Apple Cart
Monday, October 10, 2011
The Technical God is Dead.
-Viscount Lymington
I read an article yesterday that perplexed and perturbed me simultaneously. I assure you that it was not because the author struck an American nerve when he claimed that America was “slowing down,” “going soft,” and losing her “edge.” No, he would be hard-pressed to rouse a patriot in this man’s heart. Rather, it was his explanation for the claim that fueled my indignation. America’s plight, he said, was due to her abandonment of her Protestant roots—roots the author described as fostering a “strong work ethic” and an ability to cope with “delayed gratification.” What rubbish! The reason that America is going down the tubes isn’t because it has abandoned her Protestant roots, but, in fact, because she has ever-embraced them! She hasn’t lost her edge or her work ethic because she is no longer Protestant, but because she is a full-blown Protestant. If ever the evils and ills of this world could be attributed to any one factor it would be precisely and unequivocably the world’s lackluster passionate embrace with the vile theology of John Calvin.
Thursday, October 6, 2011
The Morality of Milk
Wednesday, October 5, 2011
Conservative Democrat: "Occupy Wall Street!"
Monday, October 3, 2011
"Get a Life!"
Yet there is an even deeper goofiness to the expression and its use. The folks typically using the expression are disgusted not by the particular life that the committed fool is leading, but are actually concerned that he has a life. Because the normative claim conveyed by the popular notion of the expression is “cast aside your idle curiosities and be free of your commitments—for such is living.” And that is the goofy thing. “Be free and live,” is a very accurate statement; however, the modern take on freedom is license—do whatever. Therefore, what the expression is really saying is “be licentious and live.” Gee, thanks for the advice.
Saturday, October 1, 2011
Rejection & Reflection
“The deepest feeling always shows itself in silence; not in silence, but restraint.” ~Marianne Moore
Man cannot transcend without relief—this principle follows from the God-given design of the sacredness of the Sabbath. Convenience is not the source of our salvation—it is not uplifting, despite the modern supposition. We must have leisure—which is a very special use of one’s time, specifically spending it non-usefully. Convenience is not leisure because it stops one step short; it only earns time by saving time, but the spare time must be used properly to make leisure. We gain a moment only to utilize it for our material, not spiritual, gain. But spiritual gain is precisely the fruit of time spent non-usefully. It is not surprising that prayers are done in silence and stillness.
All we have really accomplished in our modern age of technology, communication, and machinery is not a liberating advance, but a stagnation full of color, neon lights, and gadgetry—in short, an innovative hunter-gatherer society. Mankind, despite the centuries and millennia since the debacle at Babel, has yet to understand its lesson: a structure build upon spiritual depravity is socially disruptive and leads to disunity and confusion. Judging from the chaos on the ground it seems safe to conclude our system and structure suffers from spiritual depravity. Secularity, relativism, unfettered commerce, vanity, greed, usury, and individualism describe this depravity and they are to blame for the social disruption.
Yet the modern structure is comprehensively systematic and its potential disruption is apocalyptic. The only people situated to remind man of his transcendence is not the politician or the philanthropist or even the priest—for they all must remain in machine-like structures which exploit us all, conscript us into erecting Babel. Only the monk and the artist are properly disposed to withdraw from the world as one must to imagine, reflect, pray, and prevent oneself from becoming the “pastime of powerful men” or “mere sequin upon the social dress.”
The foundation of God’s Kingdom on earth must begin by being purged of both big-business and power-politics and being committed to men and mankind with all its spiritual elements intact and respected. Revolutions (in the violent sense) are not the source of this civilization’s setting; rather, it will be ushered in by substitution and conversion. Artists are precisely what we need—people who bow-out, making their very business un-business. They are not organizers or administrators, as Massingham writes, but rather, the artist is the “centre of suggestion.” These men and women reject in order to reflect; they cease to pontificate and participate in order to listen. The will withdraw in order to “penetrate the dormant bud of being, where it protects itself in its sheath of darkness from the frost that paralyses and the heat that consumes.” What they produce are not armaments for battle, but remedies for depression. The strategy of modern man’s struggle in not the warfare-of-advance-through-destruction; this is the unworkable myth of progress that calls us to be ever-changing into the future’s new and un-sustaining trend. This hawkish stance taken by the moderns will ensure their demise. Structures bent on actively destroying ultimately consume themselves: “destruction mutinies in its own camp and sends its loyalists packing into the meager cohorts of the faithful.”
The meager cohorts of the faithful are the artists whose vocations are summed up in walking away from the darkness in order to sketch portraits of Light that they pepper behind themselves leaving a trail for us to follow in their journey. These wayfarers harbor and cultivate the human spirit by coming to know it; they communicate the truth of it not as the muse from on high descends to them, but as they approach the muse, themselves. The artists’ retreat and fleeing to the fields, to the simple life is the source that best reveals the depth of mystery and the actual and only effective revolution that mankind will witness. The artists’ withdrawal is the battle—remaining artistically chaste is simply a matter of not becoming a whore of commerce. Charles Marriot reminds us, “There must be no making friends with the children of Mammon.” This type of celibacy will be demanded as the only practical means to the end toward which the artist tends: “He will not be able to give up the world for Christ’s sake unless he give it up for his own…He cannot give it up for his own unless he learn to laugh, as well as to frown—both at himself and the rich absurdity of what he is leaving.”
There are many-a-philistines today who proclaim that art is obsolete because it is a complete waste of time. My position concedes to Testadura, &al. that they are right about art being a complete waste of time. I would remind them that so, too, is eternity. Further, I think it worth pointing out that it is art’s complete wasting of time that makes it so invaluable and necessary. Why, dear Testadura, is it so silly to waste one’s time living as opposed to spending one’s time wasting life?
Friday, September 30, 2011
The Enormity of Normality
Friday, September 16, 2011
Optimism with Flannery
There will always be a special place in my heart for Flannery O’Connor. Having never met her in person, she has, nonetheless, irreversibly touched my life through her writings and stories. A master of wit, fiction, and character construction, Flannery helped introduce me to my Faith in stories where her theology permeates the engrossed reader. Not only did she bring me closer to God, but through her art (which she unreservedly calls “grotesque”) she managed to make me an optimist.
Optimism, it would seem, is an unfashionable attitude these days. Most people you’re likely to meet will unabashedly pronounce their pessimism or their agnosticism (which is nothing more than pessimism in denial). Too, people (like one of my good friends) qualify the eras into which their positivity extends--like Tolkien, they are "historic pessimists, but eschatological optimists." I, however, am not willing to say my optimism begins anywhere but now and forever. Call me a fool, but I believe in my heart that we can do better, and that, indeed, we shall—even on this side of eternity.
This ability to hope and believe was taught to me by Flannery who showed her readers how to see. Optimism, not surprisingly, depends on optics, on sight. Optimists are capable of believing that good will prevail in the world, in time, in the lives of men because they are able to see the best even amidst the worst. Using our optics to see the good is what gives us the word, optimal. The root of optic (sight) and optimus (the best) is derivative of two Latin roots: ob- (in front of) and ops- (power). And that is what truly well-trained eyes are able to do—to not only see what is in front of them, but to have the power to pierce this encounter and see beyond, as well—all the way to the good, to the best.
The God and Faith that Flannery was willing to share with me and bring me to is one that allows me to encounter mystery daily. She is always willing to note her critics who claim that her Faith limits her art. Flannery, however, resists this view: “I have found nothing further from the truth. Actually, [Christian dogma] frees the storyteller to observe. It is not a set of rules which fixes what he sees in the world. It affects his writing primarily by guaranteeing his respect for mystery.” And it is not only true for writers, but all artists, and, in fact, all humans.
We are only able to see best when our world is so broad and deep that we couldn’t possibly see everything—when mystery is always glaring us in the face. This mystery must be the pivotal encounter, the focus which draws us and attracts us—whether it be the profound truth of the foolish situation or the alluring beauty of the simple sight—we must long for this immensity in each tiny object. It was the Ancient Hebrews, Flannery correctly notes, who were “genius for making the absolute concrete.” These folks revealed that even in the immanent we can touch the transcendent. The more grounded and probingly microscopic our vision becomes the more awesome visions we behold—suddenly we see the person and world in front of us, in their entirety, in their dignity.
If the world is to be a better place, an optimal place, then we must all stop thinking carrots are the answer to poor eyesight. Actually, it is humility that helps us to see. We must first discover our own eyes by discovering the mystery inlying our very selves. "To know oneself,” Flannery suggests, “is, above all, to know what one lacks. It is to measure oneself against the Truth, and not the other way around.” When we discover Truth and its effect on us, we see for the first time the Fallen world and our place in it, and are compelled to be fulfilled by engaging the depths for heights, humility for ecstasy, and suffering for satisfaction. We go out to meet the world with our capacity for incapacity and become prophets in our everyday activities where our “prophecy is a matter of seeing near things with their extensions of meaning and thus of seeing far things close up.”
“The roots of the eye are in the heart,” Msgr. Guardini reminds us. And our hearts’ beatings are the pulse of our visions and the rhythm of our dreaming. If we fail to see and achieve a future worthy of our faith and befitting He who died for us, then it was because we refused to let Him cure our blindness (which is because we hardened our hearts). Pessimism (whether it be historical and/or eschatological) is a heart disease brought about by blockage which can be near or far.
Too many dismiss idealism as a simpleton’s wayward notion proven by history to be untenable. Plato believed we had to leave this fallen world to escape (clearly a historical pessimist) to the heavenly bliss (clearly an eschatological optimist). Yet, it was a silly Jewish carpenter who proved historically that idealism was possible by rejecting the Platonic divorce for an Incarnational wedding. It was He who demonstrated that henceforth there is no room for pessimism; but first we must see, and we must see why (which in His sight are quite literally the same thing).